Newest photo at Home of the Vain
I live in New York. I'm a photographer. I was Gawker's house photographer since 2004, and nowadays I'm a regular contributor to Vogue. This is the Home of the Vain waiting room, come on in.
“Six weeks old Henrietta smiled for the first time, the delight of once again being home.”
Tomorrow, in a Year is a unique musical project. Richard Dawkins’s gene trees have formed the basis of some of the musical composition, artificial sounds have been mixed with field recordings, with the music inspired by everything from the different stages of a bird learning its melody, to a song based on Darwin’s loving letters about his daughter Anne. These are compositions that challenge the conventional conception of opera music.
Karin Dreijer Andersson of Fever Ray and The Knife, photographed for Sasha Frere-Jones’s article in The New Yorker. (Amazing digital post work by Emeric Trahand — hire the guy while you can still afford him.)
Home of the Vain is back. Hi-res version here.
“Once I had a child, he was wilder than moonlight. He could do it all, like he’d been here before.”
The New Yorker has a write-up on Fever Ray by Sasha Frere-Jones, and a slide show of my portrait and live photographs of Karin Dreijer Andersson.
“I know it, I think I know it from a hymn. It doesn’t need no explanation, or a box to open up with light and sound.”
Fever Ray, If I Had a Heart
Fever Ray is Karin Dreijer Andersson of The Knife.
